200 Years, Anniversary Joseph Haydn (1732-1809)

haydnmania: the 2009 anniversary

Archive for exhibition

“Haydn explosive” – an extraordinary exhibition!

This weekend I visited the “Haydn explosive. A European career at the court of the Esterházy Princes”- exhibition of the Esterházy Foundation at Schloss Esterházy at Eisenstadt.
Whow!
The Impressions I got were beyond comprehension: so poignant and overwhelming! And too much for one visit! If you go there, take time – one hour is almost not enough, believe me! (Ofcourse I plan my next visits there!)

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The visitor’s experience starts right at the entrance and one does not know, where to go or look first: the wallpapers of Franz West, the expansive carpet of Roy Lichtenstein – both makes you suddenly feel that this exhibition is different!

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And you walk through the rooms and exhibits with the wide open eyes of a child and a certain explorer-attitude (this was definitely my impression!) to find out more about this genius Haydn and the influences around him today and yesterday!

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His relationship to the Esterházy-Dynasty, the age of his life and the effects of his works – all these things (and much more!)  are presented and documented as well with historical exponats as with contemporary works in a sensational well-founded and appealing way.

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Haydn, “pixeled”!

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Monitors in the walls present information in a diversified way.

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The explosion (videoinstallation) on the ceiling

is connecting the next (musical and visual) experience, the string quartet:haydnexplosiv013

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At least you go through the museum shop: books, Cds, ….. – it was too late for me to forage for things that might be interesting for me – because it was closing time! So I have to come once (or twice or …. ) more!

Opening times:
daily from 9 am to 6 pm
Sala Terrena, Esterházy
Palace, Eisenstadt

link Haydn Explosive-Exhibition

to immerse oneself into the Haydn era

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© Schloss Esterhazy Management, pressfoto

The “official” ehibition (by Burgenland governement) to the Haydn-Anniversary, “Phänomen Haydn” was opened. On 4 locations in Eisenstadt visitors can get an idea of Haydn’s era, the circumstances of his life & believe – if you like to immerse into a past era.

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©Haydn 2009, pressfoto by W.Simlinger
The exhibition has nothing to do with any contemporary view on Haydn’s work or life – just focused on the past.

More inspiring, modern and interesting for a nowadays contemporary view on Haydn is the exhibition of the former “employers” of Haydn, the Esterházys at their exhibition “Haydn explosiv”. More about that soon here!

crazy lovers …

“Chi vive amante… – Ich weiß, dass derjenige, der als Liebhaber lebt, verrückt ist”
(“I know that the one who lives as lover is crazy”)

… is the title of an actually exhibition at Vienna’s Mozarthaus to the 200th anniversary of the death of Joseph Haydn.
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Hieronymus Loeschenkohl: Joseph Haydn, Schattenriss, in: Wiener Musik- und Theater-Almanach auf das Jahr 1786 © Signatur G 87278, Mozarthaus Vienna

The main exhibit of the show is a fair-copy autograph score of the insertion aria “Chi vive amante”, which Haydn had composed for Francesco Bianchi’s opera “Alessandro nell’Indie” for the performance at Esterháza Palace in 1787. The exhibition – which is presented in co-operation with the Vienna City Library – focuses on the autograph score of this aria, which was written in the same year as Mozart’s “Don Giovanni”. In addition to this score there will be registers and libretti, which elucidate the historical context between this work and other operas of that era. The libretto of the then Viennese court poet Pietro Metastasio, on which the opera is based, was not only set to music by Bianchi but several other composers as well. Three printed versions of the libretto referring to the compositions by Baldassare Galuppi (1752), Leonardo Vinci (1783) and a community of composers (1773) will be on view.

Another focus is the historical context of this Haydn aria. Operas of other composers, which were created in Vienna at about the same period as the above-mentioned fragment will be presented: Mozart’s “Don Giovanni” of course, of which the facsimile of a score written by Mozart himself will be shown, or a contemporary copy of the score of “Axur, re d’Ormus” by Antonio Salieri, who at that time had just returned to Vienna from Paris. His opera is an adaptation of the French original version entitled “Tarare” for the Imperial Court Theatre in Vienna. It probably is Salieri’s most important opera. Vicente Martín y Soler, who is famous for his quotation from “Una cosa rara” in Mozart’s “Don Giovanni”, published his opera “L’arbore di Diana” in 1787. The exhibition will present a print of the piano score of the overture and a series of twelve German dances of this opera.
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from © Andreas Roseneder’s “Haydn-patch”-series, 2009:
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The reception of the aria is another essential aspect on which the exhibition will centre. So far three critical scientific editions have been published on this subject – in 1937 by the then head of the music division of “Städtische Sammlungen” (the predecessor of today’s Vienna City Library), in 1961 by the renowned Haydn expert H. C. Robbins Landon and, finally, in 2000 by Robert von Zahn in the scope of a complete edition of Haydn’s works. All three editions will be represented in the exhibition in order to document the increasing knowledge on this particular piece of music, which has been compiled over the years. All exhibits are part of the stock of the Vienna City Library. Complementary texts will provide the visitors of the exhibition with interesting background information.

“Chi vive amante… – Ich weiß, dass derjenige, der als Liebhaber lebt, verrückt ist”
Exhibition to the 200th anniversary of the death of Joseph Haydn
23 January – 3 May 2009
www.mozarthausvienna.at

Destiny of an anthem

Soon the Haydn Year 2009 begins! On this occasion the Austrian National Library in Vienna shows in a very interesting exhibition the story of Joseph Haydn’s “Kaiserhymne” (imperial anthem). Title: “Gott erhalte. Schicksal einer Hymne” (destiny of an anthem).
One of my earlier articles about the Haydn-anthem here

Some examples of the exhibits:
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the clean copy of Joseph Haydn’s “Kaiserhymne”
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Kaiser Franz II./I. (1768-1835),
Lithografie by Josef Axmann
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the 1st print of the anthem
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early printing of  „Gott erhalte“, Wien o.J.
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first sketch of the anthem, from Joseph Haydn

All pictures from © Austrian National Library.  Exhibition: nov 28, 2008 – february 1, 2009-