200 Years, Anniversary Joseph Haydn (1732-1809)

haydnmania: the 2009 anniversary

Archive for Portrait

the Haydn Church

Here a video introducing the Haydn Church in Eisenstadt, where Haydn worked – and, at least is buried in the “Haydn Mausoleum”:

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international fame at lifetime: J.H.!

goya_duke_of_alba

One of the most eloquent visual illustrations of Joseph Haydn’s international fame was Goya’s magnificent portrait of the Spanish Duke of Alba holding a book of Haydn’s Four Songs with Pianoforte Accompaniment, now in the Prado.

Haydn & Bach

bach

Haydn ventured into a bookshop and asked for a good textbook on theory. The bookseller named the writings of Carl Philipp Emanuel Bach as the best and most recent. Haydn wanted to look and see for himself. He began to read, he understood, found what he was looking for, paid for the book, and took it away thoroughly pleased. That Haydn sought to make Bach’ s principles his own, that he studied them untiringly, is apparent even in his youthful works from that period. From his nineteenth year Haydn wrote quartets which gave him a reputation among lovers of music as a profound genius, so quickly had he learnt. As time went on, he acquired Bach s later writings. In his opinion Bach’s writings form the best, most thorough and most useful textbook ever published.
As soon as Haydn s musical output became available in print, Bach noted with pleasure that he could count Haydn among his pupils. He later paid Haydn a flattering compliment; that Haydn alone had understood [Bach’s] writings completely and had known how to make use of them.

from: AC Dies, Biographische Nachrichten von Joseph Haydn, Vienna, 1810, R/Berlin, 2nd edition, 1962, pp. 40f.

The dark, dramatic, improvisation-like passages that appear in some of Mozart’s and Haydn’s works are due in part to the influence of Carl Philipp Emanuel Bach’s work.

on arte-tv: Haydn, the misjudged genius

Yesterday, at 6 a.m (!), in the early sunday morning, arte-tv showed a great documentation about Joseph Haydn.
The stream is no longer online, but during the next time there’ll be other Haydn-films and Haydn-concerts on arte-tv, and audio-music files to listen.
Link: Hommage an Joseph Haydn (german & francais)

The next 6 a.m. (!) – concert will be on friday, may 29:
“Haydn der Symphoniker” – all about Haydn’s Symphonies,  with music from Haydn, performed by the RSO Stuttgart, conducted by Sir Roger Norrington.

Sir Simon Rattle about Joseph Haydn’s music

Enjoy listening (it’s audio with pictures – no video at all!) to Sir Simon Rattle’s explanatory notes to Joseph Haydn’s music, especially the Symphony No 88.

“… For me he’s the greatest underrated composer who’s ever been…” … “I’m crazy about this music ..”

J.H.’s “La fedeltà premiata” now at the Opera in Zürich

Adam Fischer

Adam Fischer

Adam Fischer (picture), founder of the “Austro-Hungarian Haydn Orchestra” and familiar to all Haydn works, is the musical director of Haydn’s opera “La fedeltà premiata” which  is now played at the Zürich Opera house.

zuerich_oper1

The Zürich-production is a very modern version of Haydn’s opera, which he composed once for the Opera House at Schloss Eszterháza, where it was played for the first time on 25 February 1781.

zuerich_oper

Haydn: “…Now something about Paris. They were very surprised that my vocal composition should be so exceedingly complaisant; but I was not at all surprised, as they have not yet heard anything. If they were only to hear my operetta “L’isola disabitata” and my last opera for Shrovetide, “La fedeltà premiata”, I assure you that nothing has yet been heard like them in Paris, and perhaps not even in Vienna. My misfortune is only that I have to stay in the country..” — Joseph Haydn, 27 May 1781

link: Opera Zürich (Switzerland)

originality due to isolation – Nikolaus Harnoncourt about Haydn

These days Nikolaus Harnoncourt‘s statement about Joseph Haydn was published.  He said, that Haydn was always willing to risk the newest. The reason was the isolation and originality of Haydn. He was not influenzed by others – the Esterházy Castle in Eisenstadt (where Haydn lived for 30 years) was far away from any scenery – and therefore Joseph Haydn didn’t have to continue any method or habit.

Harnoncourt also said that Haydn had his own ( excellent & international !) orchester and his own audience, so he was extremely independent.
Haydn was an exception owing to those circumstances.

Nikolaus Harnoncourt himself became tasted by Haydn’s music in his student years. Even his parents liked to play chamber music of Haydn. When Nikolaus Harnoncout founded the Concentus with his wife they had just Haydn on their first program!

How would he describe Haydn? – he was asked.

“…If someone has an idea of Haydn, then I would describe Haydn as one of the few musical universal genius. And the second sentence would be: With an extra bit of humour,” said Harnoncourt.

Harnoncourt conducts Haydn (2009, vienna) – video:


tipp
Spring begins (on saturday, 21 march 09) with a special Haydn-evening at “3sat”-TV
with
“Joseph Haydn: my language is understood throughout the world” (at 20.15 p.m.) and

Joseph Haydn’s  “Te Deum für Fürst Nikolaus Esterhazy” C-Dur HOB 23 (at 23.05 p.m.)

(3sat on Satelite: “ASTRA” (1F) auf 19,2 Degree East, Transponder 10, vertical Polarisation, Frequenz 11,347 Ghz, Stereo 7.02 / 7.20, Monoton on 6.50 )

links:
Nikolaus Harnoncourt conducts the Haydn-Anniversary-Opening (warning: no tickets available !!!), here the program on his personal website
wiki