200 Years, Anniversary Joseph Haydn (1732-1809)

haydnmania: the 2009 anniversary

Archive for Klassik

Gala concert with the prizewinners

galaconcert1

picture © “haydn explosive”, Esterházy Foundation

The “International Joseph Haydn Chamber Music Competition” organised by the University of Music in Vienna has been held ever since 2001. An eminent international jury elects the participants.

As a tribute to Haydn – the composer of genius – on the bicentenary of his death, the competition is being held a year early instead of retaining the triennial interval.

The 4th competition took place in Vienna from 15 to 23 April 2009, and the grand finale will be the galaconcert on friday, april 24 at Schloss Esterházy (Haydnsaal), Eisenstadt at 7.30 pm played by the prizewinners, organised by the Esterházy Private Foundation .

A novelty of this year’s anniversary competition will be the presentation of new compositions by the composition classes of the University of Music and the Performing Arts.

amendment:
the audience’s prize ( € 4.000,-) was won by the polish-german “Berolina Trio”
berolina_klaviertrio
Fotocredit: F.E. Familien-Privatstiftung Schloss Eisenstadt /APA-OTS/Peter Hautzinger.
berolina
Fotocredit: F.E. Familien-Privatstiftung Schloss Eisenstadt /APA-OTS/Peter Hautzinger

J.H.’s “La fedeltà premiata” now at the Opera in Zürich

Adam Fischer

Adam Fischer

Adam Fischer (picture), founder of the “Austro-Hungarian Haydn Orchestra” and familiar to all Haydn works, is the musical director of Haydn’s opera “La fedeltà premiata” which  is now played at the Zürich Opera house.

zuerich_oper1

The Zürich-production is a very modern version of Haydn’s opera, which he composed once for the Opera House at Schloss Eszterháza, where it was played for the first time on 25 February 1781.

zuerich_oper

Haydn: “…Now something about Paris. They were very surprised that my vocal composition should be so exceedingly complaisant; but I was not at all surprised, as they have not yet heard anything. If they were only to hear my operetta “L’isola disabitata” and my last opera for Shrovetide, “La fedeltà premiata”, I assure you that nothing has yet been heard like them in Paris, and perhaps not even in Vienna. My misfortune is only that I have to stay in the country..” — Joseph Haydn, 27 May 1781

link: Opera Zürich (Switzerland)

originality due to isolation – Nikolaus Harnoncourt about Haydn

These days Nikolaus Harnoncourt‘s statement about Joseph Haydn was published.  He said, that Haydn was always willing to risk the newest. The reason was the isolation and originality of Haydn. He was not influenzed by others – the Esterházy Castle in Eisenstadt (where Haydn lived for 30 years) was far away from any scenery – and therefore Joseph Haydn didn’t have to continue any method or habit.

Harnoncourt also said that Haydn had his own ( excellent & international !) orchester and his own audience, so he was extremely independent.
Haydn was an exception owing to those circumstances.

Nikolaus Harnoncourt himself became tasted by Haydn’s music in his student years. Even his parents liked to play chamber music of Haydn. When Nikolaus Harnoncout founded the Concentus with his wife they had just Haydn on their first program!

How would he describe Haydn? – he was asked.

“…If someone has an idea of Haydn, then I would describe Haydn as one of the few musical universal genius. And the second sentence would be: With an extra bit of humour,” said Harnoncourt.

Harnoncourt conducts Haydn (2009, vienna) – video:


tipp
Spring begins (on saturday, 21 march 09) with a special Haydn-evening at “3sat”-TV
with
“Joseph Haydn: my language is understood throughout the world” (at 20.15 p.m.) and

Joseph Haydn’s  “Te Deum für Fürst Nikolaus Esterhazy” C-Dur HOB 23 (at 23.05 p.m.)

(3sat on Satelite: “ASTRA” (1F) auf 19,2 Degree East, Transponder 10, vertical Polarisation, Frequenz 11,347 Ghz, Stereo 7.02 / 7.20, Monoton on 6.50 )

links:
Nikolaus Harnoncourt conducts the Haydn-Anniversary-Opening (warning: no tickets available !!!), here the program on his personal website
wiki

whow, that’s not just for listening …

Joseph Haydn: “Symphony in B-Major, Nr. 16”, Hob. 1:16
composed in the years 1760 to 1763, at a time when he tried a lot of new techniques  – and, at this time not usual  instrumentation.
(it was also the time 1760, when he married a wife who didn’t make him happy during their lifetime – so maybe, music was some kind of escaping too …?!)

What I personally like most is the solocello in the second movement, the “Adagio”. Listen to it, you’ll not regret!

the complete symphony:

1. movement: “Allegro” (get a premonition)

2. movement: “Andante Ma Non Troppo” (!!! my favorite)

3. movement: “Finale, Presto” (a kick to regain your momentum)

it’s time for a piece of j.h.- music!

Violin Concerto in G Major, Hob. VIIa: 4 (Transcription for Cello)
with Mischa Maisky, Violoncello and the “Wiener Symphoniker”,  at Schloss Hetzendorf, Vienna

video1:
I.- Allegro Moderato
II.- Adagio

video2:
II.- Adagio
III.- Allegro

“Haydn explosive” – extraordinary tribute to the former employee

broschuere-cover_gr
the brochure-cover in the style of “tableau vivant”: “Haydn explosive”, © Esterházy Foundation (picture is a link to the big image, have a look!)
The picture shows some of the protagonists/artists of “Haydn explosive”, e.g. the man with the guitar is the famous Jazz-musician Wolfgang Muthspiel, ….

The Esterházy Private Foundation, successor of the employers of Joseph Haydn (- first Prince Paul Anton Esterházy, later Nikolaus I. Esterházy), the Esterházy management tributes their former employee with extraordinary concerts, exhibitions and a symposion in this year.
What inspired me at once was the – in the truest sense of the word fantastic – advertising concept of “Haydn explosive”:
I became hooked on more pictures like those in the official Esterházy Program!

rundumhaydn1

samposium
The Esterhazy Foundation (domiciled in Eisenstadt and owner of the Esterházy Castle there) has become pioneer and a model for contemporary, modern presentations and events during the recent years. For the first time there is a big culture organizer in Burgenland (East Austria), able to keep up with the innovative “global players” and open minded in their culture work – in comparison to the, more conservative (“business as usual”), official Haydnfestival in Eisenstadt.
Paul Esterházy featured Joseph Haydn, who walked on new ways with his music (that’s a way we call “contemporary” today, yes!) – his successors feature today’s contemporary art!
Thats the way it should be!
“..That’s the way (aha)… I like it (aha) …!!!..”

“Haydn Explosive. A European career at the court of the Esterházy Princes”
programs, dates, locations, information: here

Haydn, the avantgardist

Not only Mozart, also the music publishers and organizers at Haydn’s lifetime knew immediately that there was a composer on completely new ways.
“Nobody can do almost everything as well as Haydn”, Mozart said. For Mozart Haydn was his great role model. (he dedicated 6 string-quartetts to Haydn, more)
Even the implementation of joke  and humor into the music, the evolution of the string quartet and the symphony composition characterized the genius of Haydn.
Generations had – and will have – fun with Haydn’s musically jokes, e.g. with the “Farewell-Symphony”.