200 Years, Anniversary Joseph Haydn (1732-1809)

haydnmania: the 2009 anniversary

Archive for Haydn

a special “Haydn-weekend” – on air (tv)!

For those, who aren’t able to watch the Austrian Broadcasting “ORF”, a real great satellite-tipp:
on monday, june 1st 2009, you can watch at the  ORF European satellite-channel the Haydn-documentation “HEUTE SCHON HAYDN GEHÖRT? (“Have you already been listening to Haydn today?”) – 200 years after Joseph Haydn’s death on the trail of the great composer.

june 1, at 5.05 p.m. – ORF 2 Europe (information-pdf, english, spanish, german to download)

Reception
• Satellite ASTRA ORF transponder (117)
• Position 19.2 degrees east
• Frequency 12,692 GHz
• Polarization Horizontal
• Symbol rate 22,000
• FEC 5/6
ORF 2 EUROPE (ORF 2E) is easy to find using the automatic channel search function.
Technology:
ORF 2 EUROPE is a free-to-air channel available through the ASTRA digital satellite – its reception requires a digital satellite reception set.

If there’s a possibility to post a stream-link to the Haydn-live-event “The Creation, live from Eisenstadt”
(with the Austria-Hungarian-Haydn-Philharmonie and the Vienna Chamberchoir, directed by  Adam Fischer – and the singer Annette Dasch, Thomas Quasthoff and Christoph Strehlon)
on sunday, june 31, I’ll post it here!

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Haydn & Bach

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Haydn ventured into a bookshop and asked for a good textbook on theory. The bookseller named the writings of Carl Philipp Emanuel Bach as the best and most recent. Haydn wanted to look and see for himself. He began to read, he understood, found what he was looking for, paid for the book, and took it away thoroughly pleased. That Haydn sought to make Bach’ s principles his own, that he studied them untiringly, is apparent even in his youthful works from that period. From his nineteenth year Haydn wrote quartets which gave him a reputation among lovers of music as a profound genius, so quickly had he learnt. As time went on, he acquired Bach s later writings. In his opinion Bach’s writings form the best, most thorough and most useful textbook ever published.
As soon as Haydn s musical output became available in print, Bach noted with pleasure that he could count Haydn among his pupils. He later paid Haydn a flattering compliment; that Haydn alone had understood [Bach’s] writings completely and had known how to make use of them.

from: AC Dies, Biographische Nachrichten von Joseph Haydn, Vienna, 1810, R/Berlin, 2nd edition, 1962, pp. 40f.

The dark, dramatic, improvisation-like passages that appear in some of Mozart’s and Haydn’s works are due in part to the influence of Carl Philipp Emanuel Bach’s work.

on arte-tv: Haydn, the misjudged genius

Yesterday, at 6 a.m (!), in the early sunday morning, arte-tv showed a great documentation about Joseph Haydn.
The stream is no longer online, but during the next time there’ll be other Haydn-films and Haydn-concerts on arte-tv, and audio-music files to listen.
Link: Hommage an Joseph Haydn (german & francais)

The next 6 a.m. (!) – concert will be on friday, may 29:
“Haydn der Symphoniker” – all about Haydn’s Symphonies,  with music from Haydn, performed by the RSO Stuttgart, conducted by Sir Roger Norrington.

Sir Simon Rattle about Joseph Haydn’s music

Enjoy listening (it’s audio with pictures – no video at all!) to Sir Simon Rattle’s explanatory notes to Joseph Haydn’s music, especially the Symphony No 88.

“… For me he’s the greatest underrated composer who’s ever been…” … “I’m crazy about this music ..”

an outstanding piece of J.H.-music, “jazzy”!

Famous international Jazz-musician Wynton Marsalis plays the Haydn Trumpet Concerto, with the English Chamber Orchestra conducted by Raymond Leppard.

who cares about the miserable image quality – when you’re able to listen to that?!!!

1st movement:

2nd movement:

3rd movement

CD Wynton Marsalis “Haydn: Three Favorite Concertos”
CD on Amazon
MP3 on iTunes

“Haydn explosive” – an extraordinary exhibition!

This weekend I visited the “Haydn explosive. A European career at the court of the Esterházy Princes”- exhibition of the Esterházy Foundation at Schloss Esterházy at Eisenstadt.
Whow!
The Impressions I got were beyond comprehension: so poignant and overwhelming! And too much for one visit! If you go there, take time – one hour is almost not enough, believe me! (Ofcourse I plan my next visits there!)

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The visitor’s experience starts right at the entrance and one does not know, where to go or look first: the wallpapers of Franz West, the expansive carpet of Roy Lichtenstein – both makes you suddenly feel that this exhibition is different!

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And you walk through the rooms and exhibits with the wide open eyes of a child and a certain explorer-attitude (this was definitely my impression!) to find out more about this genius Haydn and the influences around him today and yesterday!

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His relationship to the Esterházy-Dynasty, the age of his life and the effects of his works – all these things (and much more!)  are presented and documented as well with historical exponats as with contemporary works in a sensational well-founded and appealing way.

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Haydn, “pixeled”!

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Monitors in the walls present information in a diversified way.

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The explosion (videoinstallation) on the ceiling

is connecting the next (musical and visual) experience, the string quartet:haydnexplosiv013

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At least you go through the museum shop: books, Cds, ….. – it was too late for me to forage for things that might be interesting for me – because it was closing time! So I have to come once (or twice or …. ) more!

Opening times:
daily from 9 am to 6 pm
Sala Terrena, Esterházy
Palace, Eisenstadt

link Haydn Explosive-Exhibition

Gala concert with the prizewinners

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picture © “haydn explosive”, Esterházy Foundation

The “International Joseph Haydn Chamber Music Competition” organised by the University of Music in Vienna has been held ever since 2001. An eminent international jury elects the participants.

As a tribute to Haydn – the composer of genius – on the bicentenary of his death, the competition is being held a year early instead of retaining the triennial interval.

The 4th competition took place in Vienna from 15 to 23 April 2009, and the grand finale will be the galaconcert on friday, april 24 at Schloss Esterházy (Haydnsaal), Eisenstadt at 7.30 pm played by the prizewinners, organised by the Esterházy Private Foundation .

A novelty of this year’s anniversary competition will be the presentation of new compositions by the composition classes of the University of Music and the Performing Arts.

amendment:
the audience’s prize ( € 4.000,-) was won by the polish-german “Berolina Trio”
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Fotocredit: F.E. Familien-Privatstiftung Schloss Eisenstadt /APA-OTS/Peter Hautzinger.
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Fotocredit: F.E. Familien-Privatstiftung Schloss Eisenstadt /APA-OTS/Peter Hautzinger