200 Years, Anniversary Joseph Haydn (1732-1809)

haydnmania: the 2009 anniversary

Archive for Haydn

Il mondo della luna – premiere

picture: ©Theater an der Wien

Have you ever flown to the moon thanks to nothing more than the power of your own imagination? In the summer of 1777, Joseph Haydn sent the guests at the prince’s wedding in Esterházy Palace into the fantastic universe with the aid of their imagination, some 190 years before the first moon landing. For “Il mondo della luna” he turned to a source that had already been successfully used for a number of operas and was written originally by the Italian comic poet Carlo Goldoni. Haydn created a work focusing on human longings, the fabled moon and a world turned on its head.

Ecclitico is in pursuit of Clarice while Ernesto loves her sister Flaminia. But Buonafede, the father of the two young ladies and an amateur astronomer, is strictly opposed to these matches. He is also suspicious of the growing affection his servant Cecco is showing towards the maid Lisetta, especially since he has his own designs on her. But the young lovers refuse to give in to pressure. They trick the moonstruck Buonafede into believing he has been transported to the moon. A journey of discovery into outer space and the joys of love merge in the family garden into an increasingly manic muddle. The result: a bull’s eye! At the end a triple wedding is in the offing!

In Haydn’s musical evocation of the surface of the moon, there are fragrant flowers and lush woodland instead of rocks and dust, birdsong and lyrically brilliant arias instead of silence. Haydn was internationally renowned for his operas all his life and was even invited to undertake spectacular journeys to England. No wonder, because this score by the wittiest composer of Viennese classical music is simply bursting with creativity and is perfect for becoming “moonstruck”!

Il mondo della luna

composer: Joseph Haydn, in 1777
libretto: Carlo Goldoni
conductor: Nikolaus Harnoncourt
director: Tobias Moretti
orchestra: Concentus Musicus Vienna ( N. Harnoncourt’s orchestra)
Premiere: Sat, 05.12.2009 – 7:00 p.m.

at “Theater an der Wien”

“Haydn reloded” – exhibition at Esterházy Palace (Fertöd, Hungary)

roseneder_haydn_reloaded01

“coming home”: Andreas Roseneder transporting (his) Haydn (-patches) over the corridors to the Gallery at Esterháza Palace for his upcoming exhibition

The Austrian artist Andreas Roseneder is preparing his newest exhibition called “Haydn reloaded”, which will take place at the famous Esterházy Palace in Fertöd, Hungary where Haydn lived and worked for so many years.

haydn reloaded

2 years artistic work  on the surch of the “authentic portrait” examplified on the great composer – executed in various artistic technics & media can be visited from august 8 to september 6, 2009 at Esterházy Palace, Fertöd, Hungary.

Corr.: because of the big success, “Haydn reloaded” was prolonged until september 27!

Esterházy Palace at youtube:

article on Austrian tv station website about the artist Andreas Roseneder, online (german)

pictures of an exhibition:
some impressions of “Haydn reloaded”

esterhaza_finale016b
esterhaza_finale022b
esterhaza_finale031b
esterhaza_finale027b
esterhaza_finale043b
esterhaza_finale049b
esterhaza_finale075b
esterhaza_finale056
esterhaza_finale065_ji
esterhaza_finale069
the artist Andreas Roseneder, with one of his “haydn patches”, leaving Esterházy Palace in a good temper: the exhibition was successful, notes in his guestbook show the enthusiasm of the visitors!

the Haydn Church

Here a video introducing the Haydn Church in Eisenstadt, where Haydn worked – and, at least is buried in the “Haydn Mausoleum”:

Haydn at Esterháza (Fertöd, Hungary)

esterhaza092
esterhaza029

“…Well, here I sit in my wilderness – forsaken – like a poor waif – almost without any human society – melancholy – full of the memories of past glorious days – yes! past alas! – and who knows when these days shall return again? Those wonderful parties? Where the whole circle is one heart, one soul – all these beautiful musical evenings – which can only be remebered and not described – where are all these enthusiastic moments? – all gone – and gone for a long time…”

This is the beginning of one of Haydn’s remarkable letters, written to Maria Anna von Grenzinger in February 1790 shortly after his return to Eszterháza from the Christmas season in Vienna. This letter contains a rare glimpse of Haydn out of livery as “Capellmeister of His Highness the Prince (Esterházy) in whose service I live and die”, as Haydn had styled himself in another well-known letter, his autobiography of 1776.

When Baron Riesbeck visited Esterháza in the 1780s he observed that “The Neusiedler See, from which the castle is not far removed, makes miles of swamp and threatens in time to swallow up all the land right up to the Prince’s dwelling.” When Haydn used the term Einöde to refer to Esterháza he was perhaps translating the Hungarian term for the marshy plains of the area – puszta, which means “wilderness”.

esterhaza027

Haydn’s life at Esterháza apparently hinged on extremes of luxury and privation. Descriptions of the Hungarian Paradise invariably dwell on the lavish furnishings, exquisite collections, and dazzling theatrical entertainments that won it so many accolades.

At Esterháza Haydn lived with the other musicians, singers and traveling players in the Musicians’ Building, a two stried building of 250 rooms. It was from his appartment there that he wrote his letters to von Genzinger.

link to my article “visiting Esterháza Palace”

visiting Esterhàza Palace (Fertöd, Hungary)

panorama2

Whow, what an impressive ensemble: Esterháza Castle, at Fertöd, Hungary (google map) – just half an hour to go, from the Austria-Hungarian border at Sopron!
1767 Prince Nikolaus (later called “the Magnificent”) visited Versailles and became inspired to build this Castle – on a place that, at this time, was  “in the middle of nowhere”.
1768 also a Opera house was built there – the first performance was Haydn’s opera “Lo speciale”.

the 2 scultpures (here the model) of Haydn (left) and the Prince Esterházy (up on the balcony) will be built in bronce nest year.

the 2 scultptures (here the model) of Haydn (left) and the Prince Esterházy (up on the balcony) will be built in bronce next year.

The most famous and importend people of the aera have spent time here, e.g. Empress Maria Theresia loved to be a guest in Esterháza, ’cause “…if you want to listen to the best music you have to go to Esterháza…”.

esterhaza018
esterhaza027
esterhaza048
esterhaza051
esterhaza056
esterhaza065
the male’s (prince’s) bedroom with the “secret” door:
esterhaza068
esterhaza059
esterhaza042
esterhaza007

What I have to mention: all the people working in Esterháza were overwhelming friendly and gracious (special thanks to Erna and Tünde!), tried very patiently to answer all our questions and celebrated great hospitality. At least we spent more than 5 hours (!) there – and did not see yet the gigantic historic gardens!
esterhaza012
esterhaza011
esterhaza131
esterhaza132
esterhaza134esterhaza086
esterhaza092
Prince Paul Anton still lives there, although the Esterháza Palace today belongs to the National Administration Departement of Historical Buildings.

Enjoy a visit there! And one of the exhibitions or one of the many concerts during the Haydn-anniversary-year!
On saturday, august 8, 2009 the opening event of an extraordinary exhibition of contemporary art starts at Esterháza Castle:
Haydn reloaded
Andreas Roseneder: “Haydn reloaded” – a modern painters view on the genius, his life and works and his surrounding. New paintings and objects as result of Roseneder’s artwork about Haydn.

link: www.mag.hu

international fame at lifetime: J.H.!

goya_duke_of_alba

One of the most eloquent visual illustrations of Joseph Haydn’s international fame was Goya’s magnificent portrait of the Spanish Duke of Alba holding a book of Haydn’s Four Songs with Pianoforte Accompaniment, now in the Prado.

today, 200 years ago, on may 31, 1809


haydn by Andreas Roseneder

Haydn, modern view – by Andreas Roseneder

Today is the great Anniversary Day for Joseph Haydn! Exactly 200 years ago he died on may 31, 1809 in Vienna in the age of 77.
Among his last words was his attempt to calm and reassure his servants when cannon shot fell in the neighborhood. (The french army under Napoleon was in Vienna):  “My children, have no fear, for where Haydn is, no harm can fall.”
Two weeks later, a memorial service was held in the Schottenkirche on June 15, 1809, at which Mozart’s Requiem was performed. (Mozart died before Haydn, they met 1781 for the first time and stayed friends since Mozart died in 1791)

anniversary_day094
The Anniversary Ceremonies in Eisenstadt began in the middle of the night: at 0.40 a.m. the bells of the Haydnchurch began to ring (it was the hour of Joseph Haydn’s death) and a commemoration was held there.
Todays further program:
at 9.00 a.m. Haydn’s “Schöpfungsmesse” (Creation Mass) is celebrated, with Bishop Dr. Paul Iby, the Hadnorchestra & Choir – (live in ORF)
at 11.00 a.m. Haydn’s “The Creation”, live in TV from the Haydnsaal, Esterhazy Castle: with The Austro-Hungarian Philharmonics under Adam Fischer, with the singer Anette Dasch and Thomas Quasthoff!!!

balthasar_wigand
“The Creation” was played to honour Joseph Haydn at his 76th birthday at the Old University Hall in Vienna on march 27, 1808. Joseph Haydn was there, Antonio Salieri was conducting, Beethoven kissed his hands, the audience was enthusiastic! In the front, sitting on a chair in the middle: Joseph Haydn. – Watercolor by Balthasar Wigand, who was also there.

– and here the (tv-)pictures from “the Creation”, live from Haydnsaal:

Thomas Quasthoff, Anette Dasch

the Creation, J.Haydn

Anette Dasch & Thomas Quasthoff

Präsident Dr. Heinz Fischer, "The Creation" at Esterházy Castle

fischer

I’ll celebrate this day and have a few thankfully thoughts on Haydn!

a special “Haydn-weekend” – on air (tv)!

For those, who aren’t able to watch the Austrian Broadcasting “ORF”, a real great satellite-tipp:
on monday, june 1st 2009, you can watch at the  ORF European satellite-channel the Haydn-documentation “HEUTE SCHON HAYDN GEHÖRT? (“Have you already been listening to Haydn today?”) – 200 years after Joseph Haydn’s death on the trail of the great composer.

june 1, at 5.05 p.m. – ORF 2 Europe (information-pdf, english, spanish, german to download)

Reception
• Satellite ASTRA ORF transponder (117)
• Position 19.2 degrees east
• Frequency 12,692 GHz
• Polarization Horizontal
• Symbol rate 22,000
• FEC 5/6
ORF 2 EUROPE (ORF 2E) is easy to find using the automatic channel search function.
Technology:
ORF 2 EUROPE is a free-to-air channel available through the ASTRA digital satellite – its reception requires a digital satellite reception set.

If there’s a possibility to post a stream-link to the Haydn-live-event “The Creation, live from Eisenstadt”
(with the Austria-Hungarian-Haydn-Philharmonie and the Vienna Chamberchoir, directed by  Adam Fischer – and the singer Annette Dasch, Thomas Quasthoff and Christoph Strehlon)
on sunday, june 31, I’ll post it here!

Haydn & Bach

bach

Haydn ventured into a bookshop and asked for a good textbook on theory. The bookseller named the writings of Carl Philipp Emanuel Bach as the best and most recent. Haydn wanted to look and see for himself. He began to read, he understood, found what he was looking for, paid for the book, and took it away thoroughly pleased. That Haydn sought to make Bach’ s principles his own, that he studied them untiringly, is apparent even in his youthful works from that period. From his nineteenth year Haydn wrote quartets which gave him a reputation among lovers of music as a profound genius, so quickly had he learnt. As time went on, he acquired Bach s later writings. In his opinion Bach’s writings form the best, most thorough and most useful textbook ever published.
As soon as Haydn s musical output became available in print, Bach noted with pleasure that he could count Haydn among his pupils. He later paid Haydn a flattering compliment; that Haydn alone had understood [Bach’s] writings completely and had known how to make use of them.

from: AC Dies, Biographische Nachrichten von Joseph Haydn, Vienna, 1810, R/Berlin, 2nd edition, 1962, pp. 40f.

The dark, dramatic, improvisation-like passages that appear in some of Mozart’s and Haydn’s works are due in part to the influence of Carl Philipp Emanuel Bach’s work.

on arte-tv: Haydn, the misjudged genius

Yesterday, at 6 a.m (!), in the early sunday morning, arte-tv showed a great documentation about Joseph Haydn.
The stream is no longer online, but during the next time there’ll be other Haydn-films and Haydn-concerts on arte-tv, and audio-music files to listen.
Link: Hommage an Joseph Haydn (german & francais)

The next 6 a.m. (!) – concert will be on friday, may 29:
“Haydn der Symphoniker” – all about Haydn’s Symphonies,  with music from Haydn, performed by the RSO Stuttgart, conducted by Sir Roger Norrington.